Umbra FishHotel Aquarium

• Stackable aquarium with striking modern design
• Glass bowl with removable ABS plastic façade and asymmetrical windows
• Can stack other FishHotels for tall condo-like appearance
• Detachable outer shell can be painted
• 7.5 x 7.5 x 8 inches; 5 pounds

The Umbra FishHotel is an award-winning modern home for your finned friends. Modeled after a contemporary condominium, this reinvented aquarium features a sleek white shell with assymetrical "windows." Individual units can be stacked to create a condo effect. Glass bowl is removable for cleaning.

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L.A. Confidential (Two-Disc Special Edition)

• L.A. Confidential is "tough, gorgeous and vastly entertaining" (James Maslin, The New York Times) and won 1997 Academy Awards for Best Supporting Actress (Kim Basinger) and Best Adapted Screenplay (Brian Helgeland & Curtis Hanson). Three cops, a call girl, a mysterious millionaire, a tabloid journalist fuel a labyrinthine plot rife with mystery, ambition, romance and humor. Format: DVD MOVI

Landmark movie in the film noir tradition, Roman Polanski's Chinatown stands as a true screen classic. Jack Nicholson is private eye Jake Gittes, living off the murky moral climate of sunbaked, pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together for one, unforgettable night in...Chin! atown. Co-starring film legend John Huston and featuring an Academy Award®-winning script by Robert Towne, Chinatown captures a lost era in a masterfully woven movie that remains a timeless gem.Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorabl! e cameo as the thug who tangles with Nicholson's nose. One of ! the grea test, most completely satisfying crime films of all time. --Anne HurleyRoman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of a! ll time. --Anne HurleyLandmark movie in the film noir tradition, Roman Polanski's Chinatown stands as a true screen classic. Jack Nicholson is private eye Jake Gittes, living off the murky moral climate of sunbaked, pre-war Southern California. Hired by a beautiful socialite (Faye Dunaway) to investigate her husband's extra-marital affair, Gittes is swept into a maelstrom of double dealings and deadly deceits, uncovering a web of personal and political scandals that come crashing together for one, unforgettable night in...Chinatown. Co-starring film legend John Huston and featuring an Academy Award®-winning script by Robert Towne, Chinatown captures a lost era in a masterfully woven movie that remains a timeless gem.Roman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in ! the Chandler mold, who during a routine straying-spouse invest! igation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of all time. --Anne HurleyRoman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigs! aw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a brief, memorable cameo as the thug who tangles with Nicholson's nose. One of the greatest, most completely satisfying crime films of all time. --Anne HurleyJack Nicholson returns as private eye Jake Gittes in this atmospheric Chinatown follow-up that's hit upon "the elusive sequel formula for somehow enhancing a great original" (Mike Clark, USA Today).Much has changed since we last saw Jake. The war has come and gone; 1948 Los Angeles teems with optimism and fast bucks. But there's one thing Jake knows hasn't changed: "Nine times out of ten, if you foll! ow the money you will get to the truth." And that's the trail ! he follo ws when a routine case of marital hanky panky explodes into a murder that's tied to a grab for oil--and to Jake's own past.Set more than a decade after the story in Chinatown, this 1990 sequel brings Jack Nicholson back to the screen as L.A. private detective Jake Gittes. Older, fatter, worn, and frustrated, the Jake of 1948 is still haunted by the tragic events of the earlier film. While investigating a case involving adultery and questionable land dealings by an L.A. tycoon (Harvey Keitel as the other Jake), Gittes unexpectedly confronts a few old ghosts and discovers that the resource of choice in Southern California--one for which people die--is no longer water but oil. The film had a notorious production history, with Nicholson taking over the project from writer-director Robert Towne, and the dense plot can be difficult to follow. But if The Two Jakes doesn't measure up to the legendary status of its stylish predecessor, the film does satisfy o! n its own terms and brings the events of Chinatown to a moving conclusion. Terrific work by Keitel and supporting players Meg Tilly, Madeleine Stowe, Eli Wallach, and Ruben Blades. --Tom KeoghRoman Polanski's brooding film noir exposes the darkest side of the land of sunshine, the Los Angeles of the 1930s, where power is the only currency--and the only real thing worth buying. Jack Nicholson is J.J. Gittes, a private eye in the Chandler mold, who during a routine straying-spouse investigation finds himself drawn deeper and deeper into a jigsaw puzzle of clues and corruption. The glamorous Evelyn Mulwray (a dazzling Faye Dunaway) and her titanic father, Noah Cross (John Huston), are at the black-hole center of this tale of treachery, incest, and political bribery. The crackling, hard-bitten script by Robert Towne won a well-deserved Oscar, and the muted color cinematography makes the goings-on seem both bleak and impossibly vibrant. Polanski himself has a bri! ef, memorable cameo as the thug who tangles with Nicholson's n! ose. One of the greatest, most completely satisfying crime films of all time. --Anne Hurley

Chinatown. City within a city. Home to street cobblers and herbalists, tai chi masters and kung fu students, outdoor fish markets and lots and lots of restaurants. And best of all, when the Chinese New Year begins there's a New Year's Day parade, complete with a lion dance.
Young readers will be equally fascinated by the tour of this colorful neighborhood--and by their tour guide and his grandma who live there.

LA CONFIDENTIAL:SPECIAL EDITION - DVD MovieIn a time when it seems that every other movie makes some claim to being a film noir, L.A. Confidential is the real thing--a gritty, sordid tale of sex, scandal, betrayal, and corruption of all sorts (police, political, press--and, of course, very personal) in 1940s Hollywood. The Oscar-winning screenplay is actually based on several titles in James Ellroy's series of chronological thriller novels (including the t! itle volume, The Big Nowhere, and White Jazz)--a compelling blend of L.A. history and pulp fiction that has earned it comparisons to the greatest of all Technicolor noir films, Chinatown. Kim Basinger richly deserved her Supporting Actress Oscar for her portrayal of a conflicted femme fatale; unfortunately, her male costars are so uniformly fine that they may have canceled each other out with the Academy voters: Russell Crowe, Guy Pearce, Kevin Spacey, and James Cromwell play LAPD officers of varying stripes. Pearce's character is a particularly intriguing study in Hollywood amorality and ambition, a strait-laced "hero" (and son of a departmental legend) whose career goals outweigh all other moral, ethical, and legal considerations. If he's a good guy, it's only because he sees it as the quickest route to a promotion. --Jim Emerson

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Bean

• The Bean also provides a complete comfort with its Ergonomic S shape that molds to your body
• The Bean exercise chair uses a rocking motion to allow you to automatically combine three exercises in one
• Work your entire body at home with no pain Comfortable shape supports your body while the rocking action does all the work
• Bubble-top comfort offers total back support, Complete stability allows you to exercise with proper form
• University tests prove that The Bean increases muscle activity up to 72 percent over regular exercises

THE BOARD OF A FAMED BRITISH MUSEUM HAS FINALLY FIGURED OUT HOW TO DISPOSE OF THEIR MOST USELESS EMPLOYEE,MR. BEAN,BY SENDING HIM TO AMERICA WITH THE PAINTING OF WHISTLER'S MOTHER. BEAN ISLOOSE AND LOS ANGELES WILL NEVER BE THE SAME AGAIN!Translating Rowan Atkinson's Mr. Bean character from British television to the big screen takes a bit o! f a toll, but there are some hilarious sequences in this popular comedy. Bean, a boy-man twit with a knack for getting into difficult binds (and then making them worse and worse and worse), is a London museum guard who is sent to Los Angeles in the company of the famous painting Whistler's Mother. He's mistaken as an art expert by the well-meaning curator (Peter MacNicol) of an L.A. museum, but Bean's famously eccentric behavior soon causes the poor guy to almost lose his family and job. The insularity of Bean's TV world is sacrificed in this film, and that change diminishes some of the character's appeal. But Atkinson is a man naturally full of comedy, and he doesn't let his fans down. --Tom Keogh Rowan Atkinson (Johnny English, Blackadder) stars as the iconic Mr. Bean, who never fails to leave a trail of merry mayhem and side-splitting laughter in his wake. His exploits have earned MR. BEAN a slew of awards and an international cult following, and now every ! one of his live adventures is conveniently packed up in one ti! dy box.< br>
Included in this collector s set are all 14 episodes of the landmark original series that introduced Mr. Bean to an adoring, if confused, world, as well as his two feature films Mr. Bean: The Movie and Mr. Bean s Holiday. And if that s not enough, a bonus helping of Mr. Bean: The Animated Series features him in the role he was drawn to play. It all adds up to the ultimate serving of Bean, so pull up a chair and dig right in.

Contents Include

THE WHOLE BEAN
BEAN: THE MOVIE
MR. BEAN S HOLIDAY
BONUS: THE ANIMATED SERIESBEAN THE MOVIE Call him hilarious. Call him laugh-out-loud funny. But whatever you do, call him BEAN. In the comedy that rocked America, Rowan Atkinson is the outrageous Mr. Bean, sent on a mission to California to escort the world famous painting of Whistler's Mother to its new home in the Grierson Gallery. He's also clumsy, crazy, wacky, wild, and certainly not someone you'd entrust one of the world's most valuable paintings to. Wi! th only hours to go before the official unveiling by the museum's benefactor, General Newton (Burt Reynolds), something terrible has happened to Whistler's Mother and only one man has the power to put it right. The only problem is... that man is BEAN. JOHNNY ENGLISH He knows no fear. He knows no danger. He knows… nothing! When the priceless Crown Jewels are stolen, bumbling Johnny English (Rowan Atkinson) is the only secret agent in the country (literally!) who can solve the crime. His prime suspects: a sinister businessman (John Malkovich) and a beautiful woman (Natalie Imbruglia) with a mysterious interest in Johnny's top-secret mission. Can the clueless superspy save the day without denting the nation's pride… or his super-cool Aston Martin?The Bean Deluxe is an all-in-one workout tool that offers the benefits of a stability ball, incline bench and back pain rehab device all rolled into one product. The ultimate exerciser to shape and tone your body The Bean Deluxe i! s longer, more comfortable and even more effective. The Bean i! s perfec t for all fitness levels and has an exercise for every part of the body.

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Boys of Baraka Poster Movie 11x17 Devon Brown Richard Keyser Justin Mackall Romesh Vance

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Boys of Baraka 11 x 17 Inches Style A Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

Don't miss the true coming-of-age story that follows a group of extraordinary 12-year-old boys from the most violent ghettos of Baltimore to an experimental boarding school 10,000 miles away in rural Kenya. An emotionally explosive journey shot over three years, the film zeroes in on a group of brave kids who are willing to cross the ocean to chase an opportunity - boys with a fierce determination to fight the label of "throw-away."

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.If everyone in high government office saw The Boys of Baraka, who knows what kind of positive change it might inspire? From this remarkable documentary about hope and second chances, the message is clear: The poorest, most violent, undesirable neighborhoods in America are a breeding ground for hopelessness and despair, and there's a solution if only we'd give it a good fighting chance. The scene is Baltimore, Maryland, in 2002, where 76% of all African American boys living in the inner-city ghetto will never earn a high school diploma. As one adult tells the kids at a Baltimore school, they have three choices: jail, an early death, or graduating high school--and you know she's telling the cold, hard truth. That's when we learn of the Baraka School in Kenya, East Africa, where 20 African American boys (ages 12 and 13) are chosen each year to enter a transformative two-year course of schooling, away from their families in Baltimore. The purpose of the school, in part,! is to demonstrate that the toxic environment of Baltimore, an! d its ne gative impact on the self-esteem of ghetto residents, can be reversed by removing these boys to Baraka, where a strict regimen of classes and responsibilities has an immediate, if not always permanent, beneficial effect.

We follow several boys on this fascinating journey toward growth and renewal. Devon is an aspiring preacher with musical talent; Montrey is a troublemaker with a bad attitude, who dreams of a career in science; brother Richard and Romesh are both accepted into Baraka, and despite setbacks both flourish in the program. Codirectors Heidi Ewing and Rachel Grady capture their gradual awakening to a new way of living and a new outlook on life, and then comes bad news: Due to security concerns and regional politics, the Baraka program is suspended, and the boys must return to the bleakness of Baltimore. Have they changed for good? Will they find a way to earn their diplomas and have hope for their futures? The Boys of Baraka offers no easy answers, but ! in showing us a glimmer of hope against all odds, the film gains depth and power with a conditional happy ending. Uncertainty remains, but so does a palpable sense of achievement and self-improvement that could, on a grander scale of government and societal support, lead to a positive revolution in our school system, which currently offers a depressing shortage of options for our most underprivileged citizens. Without forcing its uplifting message, this exceptional documentary offers proof of a better way, if only enough people would step up and support it. --Jeff ShannonIronweed Film Club. This DVD includes: Feature Film * One Short * Directors' commentary interactive menus and DVD extras. The Boys of Baraka Directed by Heidi Ewing and Rachel Grady * 2005 * 84 minutes. Ryan's Well Directed by Lalita Krishna * 2001 * 25 minutes. WINNER best documentary Chicago Int'l Film Festival 2005 WINNER best documentary Newport Int'l film festival 2005.Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Boys of Baraka is a 2005 documentary film produced and directed by filmmakers Heidi Ewing and Rachel Grady (both of whom also made Jesus Camp in 2006). Twenty at-risk boys from Baltimore attend the seventh and eighth grades at a boarding school in Kenya. The documentary follows them in Kenya and in Baltimore, before and after attending the Baraka School in Kenya. It also mentions that 76% of African Americans in Baltimore do not graduate High School. Boys of Baraka reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction i! s always guaranteed when you buy from Pop Culture Graphics,Inc

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1937 Ad Fuller Smith Ross Advertising Ghostwriter Hand - Original Print Ad

• Product Type: Original Print Ad; Grayscale
• Grade: Near Mint / Very Fine
• Dimensions: Approximately 10.5 x 14 inches; 27 x 36 cm
• Authentication: Dual Serial-Numbered Certificates of Authenticity w/ Full Provenance
• Packaged in custom sleeve w/ archival black board (great for display, gift-giving, and preservation)

Dorothy Parker meets Agatha Christie.

"Chick-lit noir with a side of funny." - Ruth Harris, NYT best-selling author of "Modern Women" and "Husbands and Lovers".

"Chick-lit for brunettes." - Saffina Desforges, Kindle UK best-selling author of "Sugar & Spice" and the "Rose Red" crime thriller series.

The writers’ conference is a mostly American phenomenon. It’s usually a combination of bucolic holiday and intensive writing course, where aspiring writers can hone their craft, learn the ins and outs of the publishing busi! ness and network with other writers at all stages of their careers.

Ghostwriters In The Sky is set at one such conferenceâ€"held at a picturesque former “dude ranch” in California’s idyllic wine-and-cattle country north of Los Angelesâ€"an area that has long been a retreat for Hollywood celebrities, from President Ronald Reagan to pop star Michael Jackson.

No pop-stars or presidents here, but enough mystery and bizarre goings-on to make Michael Jackson's life look tame.

Grab yourself a glass of wine, a box of chocolates and a comfy sofa, and enjoy.




Dorothy Parker meets Agatha Christie.

"Chick-lit noir with a side of funny." - Ruth Harris, NYT best-selling author of "Modern Women" and "Husbands and Lovers".

"Chick-lit for brunettes." - Saffina Desforges, Kindle UK best-selling author of "Sugar & Spice" and the "Rose Red" crime thriller series.

The writers’ conference is a mostly Ameri! can phenomenon. It’s usually a combination of bucolic holida! y and in tensive writing course, where aspiring writers can hone their craft, learn the ins and outs of the publishing business and network with other writers at all stages of their careers.

Ghostwriters In The Sky is set at one such conferenceâ€"held at a picturesque former “dude ranch” in California’s idyllic wine-and-cattle country north of Los Angelesâ€"an area that has long been a retreat for Hollywood celebrities, from President Ronald Reagan to pop star Michael Jackson.

No pop-stars or presidents here, but enough mystery and bizarre goings-on to make Michael Jackson's life look tame.

Grab yourself a glass of wine, a box of chocolates and a comfy sofa, and enjoy.




When a gifted ghostwriter (Ewan McGregor) is hired to write the memoirs of former British Prime Minister Adam Lang (Pierce Brosnan), he quickly finds himself trapped in a web of political and sexual intrigue. Lang is implicated in a scandal over his administration's harsh ! tactics, and as the ghostwriter digs into the politician's past, he discovers secrets that threaten to jeopardize international relations forever. Co-starring Olivia Williams and Kim Cattrall, it is a taut and shocking thriller from acclaimed director Roman Polanski (The Pianist).

DVD Features;
An Interview with Roman Polanski,
The Ghost Writer: Fiction or Reality?,
The Cast of The Ghost WriterOscar-winning director Roman Polanksi (The Pianist) teams up with author-screenwriter Robert Harris (Enigma) for this twisty political thriller. Ewan McGregor plays an unnamed ghostwriter who signs on to pen the memoirs of former British prime minister Adam Lang (Pierce Brosnan). The money is good, but there's a catch: the ghost's predecessor perished under mysterious circumstances (his body washed up on the shore in an apparent suicide). Being the adventurous sort, the ghost puts that information aside and travels to Lang's austere compound on Martha's V! ineyard, where he meets Lang's efficient personal secretary, A! melia (K im Cattrall, good but for an inconsistent accent), and acerbic wife, Ruth (An Education's Olivia Williams). Just as he's wading through Lang's dull text, the PM's ex-cabinet minister accuses him of handing over suspected terrorists to the CIA, fully aware that torture would be on the agenda. The next thing the ghost knows, he's working for a possible war criminal, and the deeper he digs, the more convinced he becomes that Lang is lying about his past. After exchanging a few words with a sharp-eyed old man (Eli Wallach) and a tight-lipped professor (Tom Wilkinson), he realizes his life may also be at risk. Then, while Lang hits the road to proclaim his innocence, the ghost gets to know Ruth better--much better. If the conclusion feels a little glib, Polanksi tightens the screws with skill, McGregor enjoys his best role in years, and Williams proves she's fully prepared to carry a movie of her own. --Kathleen C. Fennessy

In this tantalizing tale of Vic! torian ghost stories and family secrets, timid, solitary librarian Gerard Freeman lives for just two things: his elusive pen pal Alice and a story he found hidden in his mother's drawer years ago. Written by his great-grandmother Viola, it hints at his mother's role in a sinister crime. As he discovers more of Viola's chilling tales, he realizes that they might hold the key to finding Alice and unveiling his family's mystery-or will they bring him the untimely death they seem to foretell?

Harwood's astonishing, assured debut shows us just how dangerous family skeletons-and stories-can be.

The Cornish prayer: "From ghoulies and ghosties and long-leggety beasties and things that go bump in the night, Good Lord, deliver us!" is an appropriate invocation when reading The Ghost Writer, John Harwood’s debut novel. It is a rousing good ghost story, with many twists and turns, rather like taking apart a Russian matryoshka nesting doll.

! Gerard Freeman, at age ten, sneaks into his mother's room ! and unlo cks a secret drawer, only to find a picture of a woman he has never seen before, but one that he will find again and again. His mother discovers him and gives him the beating of his life. Why this excessive reaction? She is a worried, paranoid, thin, and fretful type with an "anxious, haunted look." By tale's end, we know why.

Phyllis Freeman, Gerard's mother, was happiest when speaking fondly of Staplefield, her childhood home, where there were things they "didn’t have in Mawson [Australia], chaffinches and mayflies and foxgloves and hawthorn, coopers and farriers and old Mr. Bartholomew who delivered fresh milk and eggs to their house with his horse and cart." It's the sort of childhood idyll that the timid and lonely Gerard believes in and longs for. He strikes up a correspondence with an English "penfriend," Alice Jessel, when he is 13 and a half, living in a desolate place with a frantic mother and a silent father. She is his age, her parents were killed in ! an accident and she has been crippled by it. She now lives in an institution, whose grounds she describes as much the way Staplefield looked. They go through young adulthood together, in letters only, thousands of miles apart, eventuallydeclaring their love for one another.

Interwoven with the narrative of Alice and Gerard's letters are real ghost stories, the creation of Gerard's great-grandmother, Viola. At first, they seem to be scary Victorian tales of the supernatural. Then, we see that they have a spooky way of mirroring, or preceding, events in real life, off the page. Gerard comes upon them, one by one, in mysterious ways, but clearly something, or someone, is leading him. The stories seem to implicate his mother in some nefarious goings-on, but the truth is far worse than Gerard imagines.

Any more would be telling too much. Turn on all the lights in the house when you settle down with this one, and plan to spend a long time reading because you will b! e lost in the story immediately. --Valerie Ryan

In ! this tan talizing tale of Victorian ghost stories and family secrets, timid, solitary librarian Gerard Freeman lives for just two things: his elusive pen pal Alice and a story he found hidden in his mother's drawer years ago. Written by his great-grandmother Viola, it hints at his mother's role in a sinister crime. As he discovers more of Viola's chilling tales, he realizes that they might hold the key to finding Alice and unveiling his family's mystery-or will they bring him the untimely death they seem to foretell?

Harwood's astonishing, assured debut shows us just how dangerous family skeletons-and stories-can be.

Raven presents on great value Double CD (and for the first time on CD ever in their entirety), three classic albums by GARLAND JEFFREYS: Ghost Writer (1977), One-Eyed Jack (1978) and American Boy & Girl (1979) originally recorded for A&M Re-cords. The enigmatic and inspirational singer / songwriter Jeffreys was Brooklyn-born and worked the nightcl! ubs of Manhattan dur-ing the late-60s and early-70s and was an associate of Lou Reed and John Cale. His debut album for Atlantic featured gritty tales of New York street life while his most famous song 'Wild in the Streets' became a staple of FM radio. Jeffrey's unique blend of rock 'n' soul, blues and reggae earned him a loyal following. He signed to A&M records in 1977 and issued these three albums at the height of his acclaim. Ghost Writer is considered to be his masterpiece, a genuinely literate and ambitious work of enduring worth. AllMusic Guide described it as 'an album of striking urban songs that are both confessional and confrontational'. Highlights include 'I May Not Be Your Kind' (a bittersweet tale of interracial romance), 'New York Skyline', 'Spanish Town' and 'Wild in the Streets'. Jeffreys followed this with two more albums of some-times reflective, sometimes aggressive but always passionate urban tales, One-Eyed Jack (1978) and American Boy & Girl (1979). H! e continued to record throughout the 1980s and 1990s. With 30 ! tracks, 140 minutes of superb quality audio, detailed liner notes and color booklet this is an essential collection for the Classic Rock music enthusiast.Each mystery takes about 15 minutes to solve. Grab your official casebook and follow three steps:survery the scene of the crime-you've got 60 seconds to uncover all the clues you can;unscramble letters to reveal another clue; 3 devious clues contain the key words you'll need! For ages 8 to 12, 2 to 4 players or you can play solo!This is an original 1937 black and white print ad for the advertising agency of Fuller & Smith & Ross, Inc.

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Fun Dip Assorted 48 - 0.5oz Packs

• Ships fast and fresh!
• 48 assorted pouches

Fun Dip Assorted 48 - 0.5oz Packs has a Razzapple- Magic and Cherry-Yum-Diddly flavors. Just Dip the candy sticks into sweet candy powder, lick off the powder and then eat the sticks

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Catfish in Black Bean Sauce

• PG-13
• 119 mins.
• 2001

In late 2007, filmmakers Ariel Schulman and Henry Joost sensed a story unfolding as they began to film the life of Ariel's brother, Nev. They had no idea that their project would lead to the most exhilarating and unsettling months of their lives. A reality thriller that is a shocking product of our times, Catfish is a riveting story of love, deception and grace within a labyrinth of online intrigue.The slipperiness of truth and lies on the Internet gets played out in unexpected ways in the documentary Catfish. When Nev Schulman receives a painting based on a photograph of his from an 8-year-old girl named Abby in Michigan, he doesn't realize this is going to lead to a long-distance romance with Abby's older sister Megan… and that this romance, conducted over the phone and the Internet, will lead to something far more troubling. It woul! d be unfair to reveal more details of Catfish, as the process of discovery is one of its pleasures--but even if you do know the sequence of events, the movie's ultimate reward is not the revelation of secrets but the surprising and very human interactions of the movie's last third. While there is a thriller aspect to the movie--and the suspense at points is indeed nail biting--the revelation isn't the bang that Hollywood movies lead you to expect. Instead, Catfish turns sad, unsettling, and sure to inspire arguments about motivations and human nature. --Bret FetzerStudio: Uni Dist Corp. (mca) Release Date: 01/04/2011 Run time: 88 minutes Rating: Pg13The slipperiness of truth and lies on the Internet gets played out in unexpected ways in the documentary Catfish. When Nev Schulman receives a painting based on a photograph of his from an 8-year-old girl named Abby in Michigan, he doesn't realize this is going to lead to a long-distance romance wi! th Abby's older sister Megan… and that this romance, conduct! ed over the phone and the Internet, will lead to something far more troubling. It would be unfair to reveal more details of Catfish, as the process of discovery is one of its pleasures--but even if you do know the sequence of events, the movie's ultimate reward is not the revelation of secrets but the surprising and very human interactions of the movie's last third. While there is a thriller aspect to the movie--and the suspense at points is indeed nail biting--the revelation isn't the bang that Hollywood movies lead you to expect. Instead, Catfish turns sad, unsettling, and sure to inspire arguments about motivations and human nature. --Bret FetzerDwayne and his sister are Vietnamese siblings who were adopted by an African-American couple. Now in their mid-20s, they both have chosen different paths, but when they learn that their biological mother is coming to Los Angeles, they eagerly await the reunion. This drama is both funny and moving in an emotionally rew! arding journey through the tapestry of one group of immigrants searching for what it means to call themselves a family.

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Hitch (Widescreen Edition)

• Meet Hitch (Will Smith), New York City's greatest matchmaker. Love is his job and he'll get you the girl of your dreams in just three easy dates, guaranteed! And that's exactly what happens when Albert Brennaman (TV's Kevin James, "The King of Queens") wins the heart of gorgeous society heiress Allegra Cole (supermodel Amber Valletta). So when tabloid columnist Sara Melas (Eva Mend

ALEX 'HITCH' HITCHENS IS A TRUE URBAN MYTH - A LEGENDARY NEWYORK CITY 'DATE DOCTOR' WHO, FOR A FEE HAS HELPED HUNDREDS OF MEN WOO THE WOMEN OF THEIR DREAMS. THE ULTIMATE PROFESSIONALBACHELOR, HITCH DISCOVERS THAT ALL OF HIS TRIED & TRUE TRICKS OF THE TRADE ARE NO MATCH FOR SARA, THE ONE WOMAN HE TRULY LOVESWill Smith's easygoing charm makes Hitch the kind of pleasant, uplifting romantic comedy that you could recommend to almost anyone--especially if there's romance in the air. As suave Manhattan dating consu! ltant Alex "Hitch" Hitchens, Smith plays up the smoother, sophisticated side of his established screen persona as he mentors a pudgy accountant (Kevin James) on the lessons of love. The joke, of course, is that Hitch's own love life is a mess, and as he coaches James toward romance with a rich, powerful, and seemingly inaccessible beauty named Allegra (Amber Valetta), he's trying too hard to impress a savvy gossip columnist (Eva Mendes) with whom he's fallen in love. Through mistaken identities and mismatched couples, director Andy Tennant brings the same light touch that made Drew Barrymore's Ever After so effortlessly engaging. As romantic comedies go, Hitch doesn't offer any big surprises, but as a date movie it gets the job done with amiable ease and style. --Jeff Shannon

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