Get to Know the Cast From The Education of Charlie Banks
 Eva Amurri (Mary) |  Jason Ritter (Mick) |  Jesse Eisenberg (Charlie) |
Stills from The Education of Charlie Banks (Click for larger image)
 |  |  |
 |  | |
 |  |  |
This uncut special edition features an exclusive documentary, interviews, and deleted scenes. It is packaged in a limited-edition slipcase. Audio is in English, and available in Dolby 2.0 or 5.1 surround sound. English subtitles are also available. This DVD is anamorphic widescreen.
Pod, Homily, and daughter Arrietty of the diminutive Clock family outfit their subterranean quarters with the tidbits and trinkets they've "borrowed" from "human beans," employing matchboxes for storage and postage stamps for paintings. Readers will delight in the resourceful way the Borrowers recycle household objects. For example, "Homily had made her a small pair of Turkish bloomers from two glove fingers for 'knocking about in the mornings.'"
The persistent pilfering goes undetected until a boy (with a ferret!) comes to live in the country house. Curiosity drives Arrietty to commit the worst mistake a Borrower can make: she allows herself to be seen. This engaging, sometimes hair-raisingly suspenseful adventure is recounted in the kind, eloquent voice of narrator Mrs. May, whose br! other might--just might--have seen an actual Borrower in the ! country house many years ago. (Ages 9 to 12)
As the mourners and guests at a British country manor struggle valiantly to "keep a stiff upper lip," a dignified ceremony devolves into a hilarious, no-holds-barred debacle of misplaced cadavers, indecent exposure, and shocking family secrets. Packed with extras including audio commentaries and an uproarious gag reel, Death at a Funeral blows the lid off the proverbial coffin as "the film's delicious comic flourishes... sight gags, slapstick, flawless timing... are served up by an outstanding cast" (O, The Oprah Magazine).Though it doesn't hit the same comic heights as Bowfinger, Death at a Funer! al is a fun little romp. Granted, not all of the characters are meant to be humorous, like Daniel (Matthew Macfadyen, Pride & Prejudice) and his wife, Jane (Keeley Hawes, Tristram Shandy), straight-faced foils for the more over-the-top performers. After Daniel's father passes away, the couple offers to host the funeral, so all his relatives descend on the family abode, including Daniel's estranged brother, Robert (Rupert Graves, V for Vendetta). The mood is already tense when their cousin, Martha (Daisy Donovan), arrives with her nervous fiancé, Simon (Alan Tudyk, Serenity). On the way over, Simon takes a Valium that's actually a hallucinogenic concoction cooked up by Martha's pharmacology student brother. By the time they arrive, Simon's inhibitions are gone with the wind. Other guests include Uncle Alfie (Peter Vaughn) and an uninvited American mourner (Peter Dinklage). By the end of the movie, one of these individuals will be dead. Though! he's worked in the States for several decades, director Frank! Oz was born in the UK, and Death at a Funeral feels like the work of a British filmmaker. As drawing room comedies go, it may not rival Arsenic and Old Lace, but it's still funnier than most. If the film has a flaw, it's one misjudged moment of scatological humor, which is sure to induce more cringes than giggles. Fortunately, it's over quickly, and Tudyk's hilarious performance provides ample compensation. --Kathleen C. Fennessy
Beyond Death at a Funeral
 More from Frank Oz |  More British Comedies |  More from MGM |
 |  |  |
 |  |  |
The child Jeanne Valois lost her family, her home! , and her fortune to the greed of an influential aristocrat. Now grown into a proud young woman of rare beauty and exceptional wiles, she has gained entrance to the court of Louis XVI and exquisite, reviled queen Marie Antoinette through an expedient marriage, seeking restitution for what was stolen from her. But Jeanne de La Motte-Valois's entreaties have fallen on deaf royal ears, inflaming her desire for justice...and vengeance.
In an era of excessive splendor, squalor, and cruelty, amid the myraid intrigues, both dangerous and erotic, that swirl around the powers of France, the brilliant stratagems of a woman wronged will eclipse all others -- as infamy, tragedy, and death loom in the shadows of a conspiracy that begins with a breathtaking vision of diamonds and gold...and ends with revolution.
A necklace that belonged to Marie Antoinette is to be presented to Queen Elizabeth. Blake and Mortimer's sworn enemy Olrik, about to be tried in Paris, manages to escape an! d steals the precious necklace out from under their noses duri! ng a gli ttering reception in the French capital. The affair threatens to turn into a full-blown diplomatic incident, especially since Olrik is doing his best to embarrass Blake and Mortimer by tipping off the press about his every move.WEALTH AND DESIRE. POLITICS AND CORRUPTION. CELEBRITY AND SEXUALITY. AN 18TH-CENTURY FRENCHWOMAN COMBINES THEM ALL IN A TREACHEROUS SCHEME TO ACQUIRE THE 2800-CARAT DIAMOND NECKLACE THAT WILL ENABLE HER TO BUY BACK THE ROYAL STATUS TAKEN FROMHER.For all its earnest intrigue, historically accurate references, and elaborate set design, The Affair of the Necklace is best enjoyed as a comedy of Hollywood errors. The court of late-18th-century France is ruled by Marie Antoinette (Joely Richardson), whose confidence and favor is yearned for by Jeanne de la Motte-Valois (Hilary Swank), a young woman stripped of her title and orphaned at a young age. As flashbacks repeatedly remind the audience, Jeanne is essentially pure at heart even as she takes up ! with a court gigolo (Simon Baker) and enacts the intricate scheme from which the title is drawn. Soon embroiled in Jeanne's plan to win back her rightful place in the world are her avaricious husband of convenience, Nicolas (Adrien Brody); the soon-to-be-disposed-of Marie Antoinette; the salacious Cardinal Rohan (Jonathan Pryce); a necklace of questionable taste; and a host of other players. All the makings for a hilarious romp (Ã la Ridicule) are in place, but director Charles Shyer, with his lavish budget in tow, wants the film to be taken seriously. Only Christopher Walken, in a hilarious turn as the fraudulent soothsayer Count Cagliostro, sees through the facile script and relishes his part in what will no doubt prove a colossal flop. --Fionn Meade 
6:33 PM
Blog Fasion
