Emperor Penguin Chicks Boxed Christmas Cards, 12 Cards

• Inside greeting: Season's Greetings
• 12 full color 4.75 x 6.75 inch christmas cards with 13 envelopes
• A portion of the proceeds from these holiday cards supports the Sierra Club
• Printed on recycled paper with soy based inks

A teacher at an all-boys prep school makes a rebellious student his main focus.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 21-JUN-2005
Media Type: DVDComparisons to Dead Poets Society are inevitable, but The Emperor's Club achieves a rich identity all its own. In the honorable tradition of great teacher dramas like Goodbye, Mr. Chips, Kevin Kline is well cast as Mr. Hundert, longtime teacher of classics and assistant headmaster of St. Benedict's Academy for Boys. There he encounters a defiant student and senator's son (Emile Hirsch) who desperately needs--but ultimately rejects--H! undert's lessons on leadership, integrity, and the shaping of character. Adapted from Ethan Canin's short story "The Palace Thief," the film is conventional to a fault, its flashback structure unfolding in Hollywood shorthand. But its noble sentiments remain potently intact, allowing Kline a performance of great emotional nuance while imparting lessons of universal value. "This is a story with no surprises," as Hundert says, but The Emperor's Club may surprise you with its admirable portrait of a life well lived. --Jeff ShannonBased upon Ethan Canin's short story "The Palace Thief," this movie stars Oscar®-winner Kevin Kline as William Hundert, a passionate and disciplined classics professor who finds his tightly-controlled world altered when a new student challenges his principles, resulting in a life lesson that will still haunt him 25 years later. Directed by Michael Hoffman, the film stars Kevin Kline, Steven Culp, Embeth Davidtz, Patrick Dempsey, Joel Gr! etsch, Edward Herrmann, Emile Hirsch, Rob Morrow, and Harris Y! ulin. In the Newmarket Shooting Script® format, this book includes the complete screenplay, movie stills, production notes, and cast and crew credits. 25 b/w photos.This is the most talked about fiction debut in years: a large, suspense-laden thriller that is also a novel of brilliantly astute social observation focusing on two fascinating worlds: that of the New York-Washington black upper middle class, and the complex world of an Ivy League law school. Judge Oliver Garland has just died in suspicious circumstances. Conservative and famously controversial, Garland has made many enemies. Many years ago, he'd earned a judge's highest prize: a Supreme Court nomination. But in a scene of bitter humiliation in front of a televised audience and before the eyes of his family, he had to withdraw his nomination. It was a national scandal, and a private agony, one from which he never recovered. Now, years later, the judge's death raises even more questions than his life did and seems to be ! leading to a second, even more terrible scandal. Could he have been murdered? He has left a strange message for his son Talcott, a professor at an elite Ivy League law school - entrusting him with 'the arrangements' - a mysterious puzzle that only Tal can unlock, and only by unearthing the ambiguities of his father's turbulent past. When another man is found dead, and then another, Talcott must risk life, marriage and reputation, following the clues his father left him. Intricate, superbly written, often scathingly funny, "The Emperor of Ocean Park" is a triumphant work of fiction, a brilliantly crafted tapestry of ambition, family secrets, murder, and justice gone terribly wrong.A complex, smart mystery filled with intrigue, drama, and more than a little danger awaits in Stephen L. Carter's engaging debut novel, The Emperor of Ocean Park. After the funeral of his powerful father (a federal judge whose nomination to the U.S. Supreme Court became a public scandal! ), Talcott Garland, an African American law professor at an I! vy Leagu e university, is left to unravel the meaning of a cryptic note and carry out "the arrangements" his father left behind. Armed with fortitude and familial devotion--though paranoid of his wife's fidelity--Talcott soon finds himself in an investigation that entangles him with a number of questionable Washington, D.C., denizens, including attorneys and government officials, law professors, the FBI, shady underworld figures, chess masters, and friends and family. All the while Talcott tries not to hurt his attorney wife's chance for a judicial nomination--and their fragile marriage--but the closer he comes to unraveling his father's dark secrets, the more dangerous things become.

Clocking in at over 650 pages, the novel could easily have been streamlined; many of Talcott's thoughts are unnecessarily repeated. But Carter's storytelling skills are adept: tension builds, surprises are genuine, clues are not handed out freely. The prose, while somewhat meanderin! g, can be crisp and insightful, as demonstrated in Carter's description of the misguided paths of young attorneys who sacrifice

all on the altar of career... at last arriving... at their cherished career goals, partnerships, professorships, judgeships, whatever kind of ships they dream of sailing, and then looking around at the angry, empty waters and realizing that they have arrived with nothing, absolutely nothing, and wondering what to do with the rest of their wretched lives.

--Michael Ferch Barbie and Kira are in the beautiful Japanese city of Kyoto, making a movie about the ancient tea ceremony. But when mysterious messages appear, Barbie must piece together the clues and mend an old family feud. The best part, for Barbie, about solving a mystery is getting the chance to help others!!A teacher at an all-boys prep school makes a rebellious student his main focus.
Genre: Feature Film-Drama
Rating: PG13
R! elease Date: 21-JUN-2005
Media Type: DVDComparis! ons to < I>Dead Poets Society are inevitable, but The Emperor's Club achieves a rich identity all its own. In the honorable tradition of great teacher dramas like Goodbye, Mr. Chips, Kevin Kline is well cast as Mr. Hundert, longtime teacher of classics and assistant headmaster of St. Benedict's Academy for Boys. There he encounters a defiant student and senator's son (Emile Hirsch) who desperately needs--but ultimately rejects--Hundert's lessons on leadership, integrity, and the shaping of character. Adapted from Ethan Canin's short story "The Palace Thief," the film is conventional to a fault, its flashback structure unfolding in Hollywood shorthand. But its noble sentiments remain potently intact, allowing Kline a performance of great emotional nuance while imparting lessons of universal value. "This is a story with no surprises," as Hundert says, but The Emperor's Club may surprise you with its admirable portrait of a life well lived. --Jeff Shannon! Comparisons to Dead Poets Society are inevitable, but The Emperor's Club achieves a rich identity all its own. In the honorable tradition of great teacher dramas like Goodbye, Mr. Chips, Kevin Kline is well cast as Mr. Hundert, longtime teacher of classics and assistant headmaster of St. Benedict's Academy for Boys. There he encounters a defiant student and senator's son (Emile Hirsch) who desperately needs--but ultimately rejects--Hundert's lessons on leadership, integrity, and the shaping of character. Adapted from Ethan Canin's short story "The Palace Thief," the film is conventional to a fault, its flashback structure unfolding in Hollywood shorthand. But its noble sentiments remain potently intact, allowing Kline a performance of great emotional nuance while imparting lessons of universal value. "This is a story with no surprises," as Hundert says, but The Emperor's Club may surprise you with its admirable portrait of a life well lived. -! -Jeff ShannonPhotograph by Daisy Gilardini. A portion of t! he proce eds from the sale of this product supports the Sierra Club. Inside message is Season's Greetings. Includes 12 cards and 13 envelopes.

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Hilary and Jackie Poster 27x40 Emily Watson Rachel Griffiths James Frain

• Approx. Size: 27 x 40 Inches - 69cm x 102cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Hilary and Jackie Style A 27 x 40 Inches Poster
• Packaged with care and shipped in sturdy reinforced packing material

HILARY AND JACKIE - DVD MovieIt earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritten with brother Piers), dished some dirt! on Jackie's sleeping with Hilary's husband. But don't let that deter you from this ebullient movie experience. The film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an e! xceptional, rare film that is defined and graced by fine actin! g and wr iting. --Paula NechakFrom the moment Jacqueline du Pré first held a cello at the age of five, it was clear she had an extraordinary gift. At sixteen, when she made her professional debut, she was hailed as one of the world's most talented and exciting musicians. But ten years later, she stopped playing virtually overnight, when multiple sclerosis removed the feeling in her hands just before a concert. It took fourteen more years for the crippling disease to take its final toll.

In this uniquely revealing biography, Hilary and Piers du Pré have re-created the life they shared with their sister in astonishing personal detail, unveiling the private world behind the public face. With warmth and candor they recount Jackie's blissful love of the cello, her marriage to the conductor Daniel Barenboim, her compulsions, her suffering, and, above all, the price exacted by her talent on the whole family. For proud as they were of Jackie's enormous success, none of them w! as prepared for the profound impact her genius would have on each of their lives. . . .Jacqueline du Pré saw the outlines of her short, brilliant, and tragic life when she was still very young. The first time she heard a cello (she was 4 years old), she said, "Mummy, I want to make that sound." She got a cello for her 5th birthday and made her professional debut at age 16. She went on to become one of the century's most amazing musicians for 10 years. Then her career was ended by multiple sclerosis. She seems to have foreseen that crippling illness, which killed her at age 42 after years of slow deterioration. She was 9 years old when she confided in her sister, Hilary (who coauthored this biography with their brother, Piers), "Don't tell Mum, but... when I grow up, I won't be able to walk or move." Before she was stricken down, Jacqueline du Pré led a life of unusual richness and complexity. Here that life is examined by her siblings in loving but realistic ! terms, including the flaws and conflicts as well as the achie! vements.

The biography formed the basis for the 1998 film starring Emily Watson. It is a sad chronicle of the pitiless disease that twisted Jackie's personality and sanity as well as her body, but also a joyful book about music, the tenderness and rivalries of family life, and above all a singular, tormented, but buoyant personality. --Joe McLellan It earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritten with brother Piers), dished some dirt on Jackie's sleeping with Hilary's husband. But don't let that deter you from this ebu! llient movie experience. The film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an exceptional, rare film that is defined and graced by fine acting and writing. --Paula ! NechakAs might be expected, the soundtrack to Hilary an! d Jackie plays a highly prominent role in this film about the emotionally fraught relationship between two gifted sisters, one of whom is the brilliant cellist Jacqueline Du Pré. Certainly composer Barrington Pheloung--whose credits include the Inspector Morse series and the evocative score to Truly, Madly, Deeply--faced a heady challenge in writing music to be heard alongside Du Pré's rhapsodic, signature interpretation of the Edward Elgar Cello Concerto, not to mention other classical selections. Even so, the resonantly autumnal, neo-Romantic flavor of his score aptly mirrors the narrative's flashback-oriented technique. His insistence on the cello's urgent high register (played by soloist Caroline Dale) creates a poignant musical portrait of its tragically stricken protagonist. Most of the CD, however, is given to the entire Elgar concerto--an especially effective choice as against the usual potpourri of classical snippets. This charged, elegiac, and ea! sily accessible work--Elgar's own valedictory composition for orchestra--becomes a sort of musical metaphor for Du Pré's emotional journey and gains from being heard in its full context. While the performance featured here is conducted by husband Daniel Barenboim, you'll probably be inspired to try Du Pré's never-bettered version of the Elgar on EMI with John Barbirolli. --Thomas MayIt earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritten with brother Piers), dished some dirt on Jackie's sleeping with Hilary's husband. But don't ! let that deter you from this ebullient movie experience. The ! film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an exceptional, rare film that is defined and graced by fine acting and writing. --Paula NechakAddresses issues of concern ! in the area of women's studies, aiming to offer fresh perspectives on sexuality, paid work, the development process, equal opportunities legislation, lesbian history and women's writing. The book is also concerned with the politics and practice of women's studies.Addresses issues of concern in the area of women's studies, aiming to offer fresh perspectives on sexuality, paid work, the development process, equal opportunities legislation, lesbian history and women's writing. The book is also concerned with the politics and practice of women's studies.Hilary and Jackie reproduction poster print

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Fun with Dick and Jane

• ISBN13: 9780448434117
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Fun With Dick And Jane provides comic relief alongside a relevant look at today’s corporate scandals. In the film, Dick Harpers’ (Carrey) years of hard work finally pay off when he is promoted to vice president of Globodyne, a worldwide business leader. After exactly one day at his new job, Globodyne is destroyed, leaving him and his loving wife, Jane (Leoni) without financial security. This sudden reversal of fortune has left them both unprepared to give up their comfortable lifestyle and Dick comes up with the brilliant idea of turning to robbery to pay the bills. Utilizing newfound skills, Dick and Jane exact hilarious revenge while teaching big business a lesson.Remakes are always! a gamble, so it's a pleasant surprise that Fun with Dick and Jane pays off with unexpected dividends. It's as entertaining as the 1977 original starring George Segal and Jane Fonda, and the teaming of Jim Carrey and Téa Leoni makes this a safe bet for comedy fans, in spite of a slapstick screenplay that fails to achieve its fullest potential. Rather than attempt a darkly comedic send-up of the Enron scandal that left thousands of stockholders in financial ruin, director Dean Parisot (Galaxy Quest) opts for a lighter, more accessible (read: commercial) satire of corporate greed and cynicism, beginning in the year 2000 when Dick (Carrey) gets a plum promotion as a mega-corporate communications director just as his boss (Alec Baldwin) is preparing to bail out before stock prices plummet. Dick's wife Jane (Leoni) has quit her job as a travel agent, so the corporate bombshell leaves them penniless and desperate, resorting to petty thievery and, eventually, plotti! ng high-stakes revenge against the greedy executives who ruine! d their lives. As a send-up of financial distress in a ravaged post-Enron economy, Fun with Dick and Jane delivers laughs with just enough pointed humor to give it a strong satirical edge, and Carrey's reliable brand of zaniness is controlled enough to balance nicely with Leoni's more subtle (and woefully underrated) skills as a screen comedienne. And while the "special thanks" end-credits hint at the sharper, more biting satire this might have been, there’s enough fun with Dick and Jane to make this recycled comedy worth a look. --Jeff ShannonStudio: Sony Pictures Home Ent Release Date: 12/06/2005 Run time: 96 minutes Rating: PgJane Fonda was so respected as a serious actress that her comedy chops sometimes were overlooked. But it should be remembered that her first real hits (Barefoot in the Park, Cat Ballou) were comedies. This underrated 1977 outing also played for laughs, though it had social-satire underpinnings that still ring true. Fonda and ! George Segal play an upwardly mobile couple in the time before yuppies--think of them as protoyuppies. But their status-oriented existence suffers what could be a fatal blow when hubby is maneuvered out of his job. Broke and unemployed, they become armed robbers--and discover that crime can pay for them to live in the style to which they've become accustomed. Segal and Fonda have a breezy ease as confused suburbanites who bring the same neurotic thoroughness to crime that they do to their careers. But the script (whose authors include Jerry Belson and Mordechai Richler) never uses either the Robin Hood angle or any other angle that could sustain a sharp edge; as a result, the comedy winds up more cute than knowing. --Marshall Fine Parents will love revisiting a fond part of their childhoods when they share these classic Dick and Jane readers with their children. With charmingly innocent exploits and simple, repetitive declarations, these beloved characters helped ent! ire generations work, play, look, seeâ€"and learn! And now the! y’re a vailable for a whole new generation to enjoy.

“Look, Jane,” said Dick. “Here is something funny. Can you guess what it is?”

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Breaking Upwards

• BREAKING UPWARDS (DVD MOVIE)

In a fresh modern spin on Woody Allen s Annie Hall, director Daryl Wein depicts two witty, charmingly klutsy and real New Yorkers but instead of falling in love, they re trying to fall out of love. Like Allen s best work, this film is also bursting with a brilliant cast including Emmy and Tony winner Andrea Martin (SCTV, My Big Fat Greek Wedding); Tony winner Julie White (Transformers, Monsters Vs. Aliens), and Tony nominee Pablo Schreiber (Vicky Cristina Barcelona, TV s The Wire). Daryl and Zoe (played by real-life couple Wein and Zoe Lister-Jones) still care for each other, but the zip has gone out of their romance. They decide to craft a really good breakup: instead of just saying goodbye after all, they still like each other they date four days a week and see other people for the other three days. Simple, right? Not once their mothers and friends and would-be ! lovers get in on the act. Co-written by Wein and Lister-Jones along with Peter Duchan, and based on Wein and Lister-Jones' real-life experiences, Breaking Upwards is the freshest romance in years.

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Hot Rods to Hell

• The Phillips Family is chased by rowdy teenagers on their way through California. Runtime: 92 mins Format: DVD MOVIE Genre: TELEVISION Rating: NR Age: 012569797284 UPC: 012569797284 Manufacturer No: 79728

Andy Samberg stars as Rod Kimble, a stuntman with a fake mustache and a dream, in this outrageous comedy so unpredictable you won't know what hit you! Rod has never landed a jump without wiping out. His family and friends think he's a joke. And, to top it off, his stepfather Frank uses him as his own personal pinching bag. But he's not going to let a few minor problems keep him from the biggest stunt of his life!

Co-starring Isla Fisher and Ian McShane, Hot Rod is "very, very funny from start to finish" and scales the heights of hilarity as Rod defies death to win the money, win the girl and, ultimately, win some respect. After making a name for himself on SNL through a! series of shorts, particularly viral video favorite "Lazy Sunday," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod i! s the kind of slapdash comedy that neglects to provide its her! o with a n age, a job, or even a hometown. But don't count Samberg out. Given time, he may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyAmateur stuntman Rod Kimble (ANDY SAMBERG) has a problem â€" his step-father Frank (IAN MCSHANE) is a jerk. Frank picks on Rod, tosses him around like a rag doll in their weekly sparring sessions, and definitely doesn't respect him, much less his stunts. But when Frank falls ill, it's up to Rod to stage the jump of his life in order to save his step-father. The plan: Jump 15 buses, raise the money for Frank's heart operation, and then... kick his ass. After making a name for himself on SNL through a series of shorts, particul! arly viral video favorite "Lazy Sunday," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod is the kind of slapdash come! dy that neglects to provide its hero with an age, a job, or ev! en a hom etown. But don't count Samberg out. Given time, he may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyAmateur stuntman Rod Kimble (ANDY SAMBERG) has a problem â€" his step-father Frank (IAN MCSHANE) is a jerk. Frank picks on Rod, tosses him around like a rag doll in their weekly sparring sessions, and definitely doesn't respect him, much less his stunts. But when Frank falls ill, it's up to Rod to stage the jump of his life in order to save his step-father. The plan: Jump 15 buses, raise the money for Frank's heart operation, and then... kick his ass.After making a name for himself on SNL through a series of shorts, particularly viral video favorite "Lazy Sun! day," the way was clear for Andy Samberg to segue to the big screen. Directed by SNL scribe Akiva Schaffer, Hot Rod proves his humor works best in small doses. Then again, producer Will Ferrell got his start in A Night at the Roxbury. In his first starring role, Samberg is amateur stuntman Rod Kimble. To raise money for his ailing stepfather, Frank (played with devilish glee by Deadwood's Ian McShane), Rod plans to jump 15 school buses on a moped. With support from his crew, which includes SNL's Bill Hader and Isla Fisher (Wedding Crashers), Rod trains for the big event. All the while, Denise (Fisher) is seeing obnoxious attorney Jonathan (Will Arnett, Arrested Development). Lack of physical dexterity aside, Rod prevails through pure dogged determination. You've seen it before, and if you can't get enough of this sort of thing, you'll see it again. Hot Rod is the kind of slapdash comedy that neglects to provide its hero with an age,! a job, or even a hometown. But don't count Samberg out. Given! time, h e may yet craft a persona that doesn't borrow so heavily from the man-boy antics associated with Ferrell and Adam Sandler. Still, Hot Rod would've worked better with the funnier, more sympathetic Jorma Taccone, who plays Rod's half-brother, in the lead--on the other hand, that's the same formula that made Napoleon Dynamite a hit. --Kathleen C. FennessyStudio: Victor Multimedia-05 Release Date: 10/16/2007 Run time: 60 minutesLike something that rolled out of a garage in Andy Hardy's hometown of Carvel Indiana comes Hot Rod. James Lydon (whose radio and film portrayals of Henry Aldrich were perhaps but a half-block removed from Andy) stars as David Langham, an enterprising youth with an eye for the girls and an ear for a well-tuned high-compression machine. And his dad? He's a sagacious font of advice (Art Baker) who happens to be a small town judge. The film, which combines the excitement of tire-singing speed with a cautionary message about the perils ! of street racing, would see a stream of redlining exploitation flicks in its rearview, Hot Rod Girl, Hot Rod Gang and Hot Rods to Hell among them.

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HOT RODS TO HELL - DVD Movie

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Deadland

• DEADLAND (DVD MOVIE)

World War III's nuclear strikes on the U.S. have set the nation back 200 years; money holds no worth, food is impossible to find, and hope is all but lost when every survivor of the war is infected by a fatal nuclear plague. DEADLAND is a post-apocalyptic tale of an ordinary man, Sean Kalos, driven on only one purpose: to find his missing wife in the new United Provinces. What was designed to be the new rebirth has become martial-law, and the Officers of the Province wield their power with cruelty. When Sean crosses them, he finds himself in the middle of a personal war, and his search for his wife dominoes into what could be the revolution the survivors have been waiting for.

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Hunter Prey

• In a time of galactic war.One man. One alien. One choice.The Prometheus has dropped out of orbit. Communications and life support systems are down. Situation Critical: Status of Crew and Prisoner unknown. With orders to catch their Alien Prisoner alive the surviving crew of the spaceship Prometheus pursue a dangerous game of cat-and-mouse with their escaped prisoner on a deserted  and 

Sandy Collora is perhaps best known as the man who directed the cult short film Batman: Dead End, praised by Kevin Smith as possibly the truest, best Batman movie ever made , albeit before the Nolan era. Now, seven years later, Collora has thrown off the shackles of his short film career with the release of his debut feature film Hunter Prey, a science fiction spectacular with the same heart and soul as the glorious Sci-fi of the mid 1980 s. the much-celebrated director and FX designer has his DVD debut! December 2010

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