The Brothers Grimm

• Matt Damon (THE BOURNE SUPREMACY, OCEAN'S TWELVE) and Heath Ledger (THE PATRIOT, A KNIGHT'S TALE) team up to bring you one of the year's most fantastic adventures in this magical tale based on the lives of the legendary storytellers. Will and Jake Grimm (Damon and Ledger) dazzle small towns with their imaginative folklore and elaborate illusions, but when the brothers journey into a re

Alchemy 2005 : How to Transmutate Silver or Lead Metal into Created 10KT Gold Coins ? " Gold can be manufactured from other elements by several methods...The transmutation of silver to gold is perhaps the easiest -- or least difficult --" Facts on Lead Metal and its Transmutation into Gold (1) Lead metal has 82 protons & electrons and contains Gold in it already. (2) Lead metal will transmutate into Gold when bombarded with a source of neutrons. (3) It is alleged that Lead naturally transmutes into Gold over mi! llions of years within a vein of quartz chrystals and the piezo electric effect interaction, like coal into diamonds. (4) Certain compounds when added to lead metal , will turn lead into golden color, see " yellow lead . PREVIEW THIS BOOK FREE !!! CLICK THE PREVIEW BUTTONBLUES BROTHERS 25TH ANNIVERSARY EDITI - DVD MovieAfter building up the duo's popularity through popular recordings and several performances on Saturday Night Live, John Belushi and Dan Aykroyd--as "legendary" Chicago blues brothers Jake and Elwood Blues--took their act to the big screen in this action-packed hit from 1980. As Jake and Elwood struggle to reunite their old band and save the Chicago orphanage where they were raised, they wreak enough good-natured havoc to attract the entire Cook County police force. The result is a big-budget stunt-fest on a scale rarely attempted before or since, including extended car chases that result in the wanton destruction of shopping malls and more police cars ! than you can count. Along the way there's plenty of music to p! unctuate the action, including performances by Ray Charles, Aretha Franklin, Cab Calloway, and James Brown that are guaranteed to knock you out. As played with deadpan wit by Belushi and Aykroyd, the Blues Brothers are "on a mission from God," and that gives them a kind of reckless glee that keeps the movie from losing its comedic appeal. Otherwise this might have been just a bloated marathon of mayhem that quickly wears out its welcome (which is how some critics described this film and its 1998 sequel). Keep an eye out for Steven Spielberg as the city clerk who stamps some crucial paperwork near the end of the film. --Jeff ShannonMatt Damon (THE BOURNE SUPREMACY, OCEAN'S TWELVE) and Heath Ledger (THE PATRIOT, A KNIGHT'S TALE) team up to bring you one of the year's most fantastic adventures in this magical tale based on the lives of the legendary storytellers. Will and Jake Grimm (Damon and Ledger) dazzle small towns with their imaginative folklore and elaborate illusions, bu! t when the brothers journey into a real enchanted forest they encounter many of the fantastic characters and thrilling situations found in their beloved fairy tales! From the award-winning director of 12 MONKEYS, BRAZIL and MONTY PYTHON AND THE HOLY GRAIL, this fabulous motion picture is sure to leave you living happily ever after!Fairy tales come vividly to life in The Brothers Grimm, a long-delayed fantasy/horror comedy that greatly benefits from the ingenuity of director Terry Gilliam. In lesser hands, the ambitious screenplay by prolific horror specialist Ehren Kruger (who wrote the American versions of The Ring and The Ring 2) might have turned into an erratic monster mash like Van Helsing. But Gilliam's maverick sensibility makes the film more closely comparable to Tim Burton's Sleepy Hollow and Neil Jordan's The Company of Wolves, with the added benefit of impressive CGI effects and lavish (though cost-efficient) production d! esign, making the most of a challenging $75 million budget. Kr! uger's c lever conceit is to turn "folklore collectors" Wilhem and Jacob Grimm (Matt Damon and Heath Ledger, respectively) into 19th-century con artists who perform bogus exorcisms of "evil enchantments" while traveling from village to village in French-occupied Germany. The two soon find themselves ensnared in a genuinely supernatural crisis involving the curse of the Mirror Queen (Monica Bellucci) and such fantastical marvels as the Big Bad Wolf, the Gingerbread Man, and a host of other truly enchanted (and not altogether friendly) flora and fauna. It's kind of a mess, switching from over-the-top humor (mostly from Peter Stormare as a manic villain) to serious fantasy involving the beautiful Angelika (Lena Headey), who proves to be the Grimm Brothers' most reliable ally. And like many of Gilliam's films, Grimm suffered from production delays (during which Gilliam filmed Tideland), distributor fallout, and several changes in its theatrical release date, but none of the! se issues prevent the film from being a welcomed addition to Gilliam's remarkable list of credits. --Jeff Shannon

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The Fountain [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Closed-captioned; Color; Dolby; Dubbed; Subtitled; Widescreen

The first installment of West’s Saga of the Century trilogyâ€"now available as an ebook

West’s semi-autobiographical novel introduces the multi-talented Aubrey family as they strive to find their place in the world

Papa Aubrey’s wife and twin daughters, Mary and Rose, are piano prodigies, his young son Richard Quin is a lively boy, and his eldest daughter Cordelia is a beautiful and driven young woman with musical aspirations. But the talented and eccentric Aubrey family rarely enjoys a moment of harmony, as its members struggle to overcome the effects of their patriarch’s spendthrift ways. Now they must move so that their father, a noted journalist, can find stable employment. Throughout, it is the Aubreys’ hop! e that art will save them from the cacophony of a life sliding toward poverty.

 

In this eloquent and winning portrait, West’s compelling characters must uncover their true talent for kindness in order to thrive in the world that exists outside of their life as a family.

The first installment of West’s Saga of the Century trilogyâ€"now available as an ebook

West’s semi-autobiographical novel introduces the multi-talented Aubrey family as they strive to find their place in the world

Papa Aubrey’s wife and twin daughters, Mary and Rose, are piano prodigies, his young son Richard Quin is a lively boy, and his eldest daughter Cordelia is a beautiful and driven young woman with musical aspirations. But the talented and eccentric Aubrey family rarely enjoys a moment of harmony, as its members struggle to overcome the effects of their patriarch’s spendthrift ways. Now they must mov! e so that their father, a noted journalist, can find stable em! ployment . Throughout, it is the Aubreys’ hope that art will save them from the cacophony of a life sliding toward poverty.

 

In this eloquent and winning portrait, West’s compelling characters must uncover their true talent for kindness in order to thrive in the world that exists outside of their life as a family.

Yesterday, today, tomorrow. Past, present, future. Through time and space, one man embarks on a bold 1000-year odyssey to defeat humankind's most indomitable foe: Death. Hugh Jackman plays that man, devoted to one woman (Rachel Weisz) and determined to protect her from forces that threaten her existence. His quest leads him to a Tree of Life...and to an adventure into eternity. Darren Aronofsky (Pi, Requiem for a Dream) directs, continuing his string of imaginative, involving filmmaking with a tale alive with ideas and filled with astonishing vistas. "Not many films can blow your mind and break your heart at the same time, but this o! ne will" (Drew McWeeny, Ain't It Cool News).Science fiction and romance collide in The Fountain, the ambitious third feature from director Darren Aronofsky (Pi, Requiem for a Dream), who labored for four years to complete this epic-sized love story that stretches across centuries and galaxies. Hugh Jackman and Rachel Weisz (Aronofsky's real-life companion) play lovers in each of the film's three settings--16th century Europe and America (Jackman is a Spanish explorer searching for Incan magic), the present day (Jackman is a doctor attempting to cure his dying wife), and the 26th century (Jackman is a space traveler seeking a gateway to the afterlife)-â€"who struggle mightily to stay united, only to lose each other time and again. Aronofsky may not have chosen the easiest presentation for audiences to absorb his theories on the lasting qualities of life and the transformative powers of death-â€"the final sequence, in particular, with a bald Jackman floating thr! ough space in a bubble, harks back uncomfortably to "head movi! es" of t he late '60s-â€"but his leads have considerable chemistry (and look terrific to boot), which goes a long way towards securing viewers' hopes for a happy ending. Critical reception for The Fountain has been nothing short of bloodthirsty, with Cannes audiences booing, but there are elements to enjoy here, even if the premise throws one for a loop. Ellen Burstyn (who earned an Oscar nomination for Requiem) delivers a typically solid performance as Jackman's boss in the present day sequence, and special effects (most done without the benefit of CGI) are also impressive given the film's low budget (spurred by a mid-production shutdown after original stars Brad Pitt and Cate Blanchett ankled the picture). And science-fiction fans whose tastes run towards the metaphysical (Asimov, Le Guin) will appreciate the attempt to present the genre in a serious light. --Paul Gaita

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